Criteria
Christopher Mulrooney

Come ye sons of Art | No-one like Moses | Figures of Speech | Memento Mori | “soapsuds and whitewash” | A.W. | Sheer Bloody Torture | D’Après Manet | RR | Dill & Rogier | Moses/Blake | Alexander | Made in Germany | The Great Altoon | Les enfants de Vincent | Ensor is settled | Postcards | Figures d’ombres | A Great Poet | “Eye hath not seen” | Calder | Metropolis II | Richter | Some Recent Work | Just Foulkes | Ferus | Literature | Jack Laxer | Kirchner | The Great American Opera | Pinter in Old Times | Nutcracker | Rules of the Drama | Kobo Abe’s Friends | Aerial Militarism | Volumes | Gabriela Mistral | Bonnefoy’s Great Snow | Tom Wesselmann | The Way It Looks | The Umbrellas | The Gates | Dali in Hollywood | London Reviewers | Tender Statues | Whirp and Fart | A Music Hall Turn | Bill Knott’s The Unsubscriber | Helen Lundeberg Painting III | “The ways they praise have lapsed” | The Berries to Stalin | On and Off Art | La Figlia che Piange | Constable at the Academy | Hammersley Is Out | Vocal Class | The West | Minotauromachy | René Magritte | Tough Guys Don’t Dance | Two Poems of John Ashbery | Friday’s Diner | Academy | Mozart’s dice | 2p | Acting | Danger: Memory! | Tom Stoppard | Three Tall Women | Yoshitoshi’s Battles | Balanchine’s Jewels | Turrell at the Griffin Gallery | Picasso | The Laughing Ass | Richard Pousette-Dart | Swope Studios | Three Weeks in Japan | Don’t tell me what I’m doing, I don’t want to know | Falkenstein | John Swope/Don Sorenson/Woods Davy | A Tapestry of Miracles | Stonehenge (With Two Persons) | Klimt’s Los Angeles Collection | This State of Things | Lee Mullican | The Seagull | Tous bouquets | The Language of the Capital | Ballet in New York | A Problem of Rembrandt | Dürer | A.K. | Ruysdael | A New Text of Mark Twain’s After-Dinner Speech | The Wish-Fulfilling Tree | Put Me Amongst the Girls | The Charge of the Light Brigade | Bond’s Lear | Julius Christ | Catlin | Parallel Events | Cross-Cut | Ruscha and Rauschenberg at Gemini G.E.L. | Some California Impressionists | Lee Miller in Wartime | Ariel | Boulez in L.A. | Diaghilev’s Russian Ballet | Prima Facie | Ruscha at Work | Ruscha’s Photographs | Terrestrial Eclipse | Morgan, Walls & Clements: KEHE (KFI) Radio Building, 1936 | Zoom | All’s Well That Ends Welles | The Invention of Love Poetry | “Living & Dying” at Second City Arts | Friedlander/De Kooning, Portraits & Figures | Made In California | Two Paintings by Summer Sullivan | Patrick Hughes/Herbert Creecy | Patrick Hughes on La Brea | Alicia Beach—Steven Criqui | Jammers | Victor Hugo Zayas at Eye of the Eagle Gallery | A Moon for the Misbegotten | Liam Jones Constructions | Calder’s Mobiles | Kitsch vs. Modernism | Kipling | Selected Poems of Jorge Luis Borges | Paz’s Anthology | Poems of Sidney Lanier | Lee Krasner | Bridget Riley in New York | Eames, Ruscha and Martin Johnson Heade | Oskar Fischinger I | Oskar Fischinger II | Hisashi Nakagawa in L.A. | Niki de Saint Phalle | The Ryan Interview | Karl Benjamin Paintings 1950-65 | Helen Lundeberg Painting I | Helen Lundeberg Painting II | A Look at Feitelson | Lee Friedlander’s Weather Maps | The Getty’s Own Boner | Patrick Graham | I knew an artist’s model once. | Fatherly Fields | Eadweard Muybridge | Buff Says Buff | Synchromism | Tobey, Mark | Burkhardt’s Basel | Paris vu par... | Galleries | Consolations of Philosophy | Hôtel des Clochards | Downtown | Llyn Foulkes’ Machine | The New City | The Burden of Bridges | At The Metropolitan Opera | The First Non-Musician to Win a Grammy | Motherwell | The Lamps of Chinatown | Los Feliz | A bird flew into a tree. | Intermezzo/Saddle (Caro) | Winslow Homer and The Critics | Milton Avery’s Later Work | Edward Hopper | Sam Francis: Paintings 1947-1990 | Jack Sheldon at the Museum | Le Purisme | Eye of Modernism | A.M. | Steve Martin’s Private Art Collection | Beckett on Film | Beau Monde | G. O’K. | Robert Rauschenberg: The Dave Hickey Interview | Eye, The Jury | Wendell Dayton/Hei Myung Hyun | The Man Who Had Three Arms | Hallucinogenic Toreador | Procreating With Dead Artists | Essay on Criticism | Bill Viola: Time-Grabber | Chamberlain/Moses; Ferlinghetti | All Stars Of LA Performance Art VI | Pollock | Gehry, Isozaki, Schindler | Molière in Los Angeles | Our Town (Westport) | Frankenthaler: Three “Dark Light” Paintings | In Memory of My Feelings: Frank O’Hara and American Art | A Show at Cirrus Gallery | To the Actors of Macbeth | Eames 3-D Photographs | Andy Warhol’s Camouflage Paintings | Andy Warhol | Gradus ad Parnassum | Heather Lowe Stereopaintings | Rosebud Cakes | The Little American Nudes | Emerson Woelffer | Quality of Consequence | A Spitbite of Thiebaud | “Here on the cropped grass of the narrow ridge I stand” (Auden) | How to Look at John Singer Sargent & Ansel Adams | Universalily | Two Radio Plays by Ray Bradbury


Alliwell That Ends Well
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