Just Foulkes

Hammer Museum

Llyn Foulkes is twice correct, out in the wilderness he leaves corrupt cities behind and is a great painter of the locale (from photographs in the studio), his perforation of corporate identity is also very useful in a shamanic age.

Llyn Foulkes
Saddle Peak
1984


Ghost Hill
and Saddle Peak (both 1984) for the one, Pop (1985-90) the other.

 

Llyn Foulkes
Pop
1985-90

 

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