Bridget Riley in New York

The PaceWildenstein Catalogue

Sylvan
screenprint
35 x 24 inches
2000

Dave Hickey introduces the show and the neologism "object-hood" between a résumé of Riley's NY escapades and a quote from Deleuze, which is followed by the artist's repudiation of Clement Greenberg.

Riley's new work appears to have solved a problem she faced and abandoned in paintings like Disfigured circle (1963) with its peculiar geometry of angled curves.

 

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